.
Places
Of Interest Sukhothai
Historical Park
The
Old City | Old
City (North) | Old
City (South) | Old
City (West) | Old
City (East)
Inside The City Walls
The former greatness of Sukhothai has been well
preserved in this excellent park. Ruins of the royal
palaces, Buddhist temples, the city gates, walls,
moats, dams, ditches, ponds and canals are now maintained
by the Fine Arts Department with a view to safeguarding
a fine example of mankind's cultural heritage.
The park is open to the public everyday from 8:30am-4.30pm
and admission is 20Baht. The Tourist Service Centre
near Wat Phra Phai Luang, just outside the walls,
provides information for visitors to the park as
well as displaying models of historical buildings
and structures in the old city of Sukhothai.
"Historical
Sukhothai" can be easily divided in to five
smaller regions to help all visitors get around:
The Old City, The North, The South, The West and
The East.
The
Old City (
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The Royal Palace and Wat Mahathat
This area, surrounded
by a moat, has two main compounds. The royal compound
with it's ancient ruins of "Noen Phrasat", an old
royal residence and the sanctuary in the palace
where the royals of the day would pay homage to
the Lord Buddha.

Wat Chana Songkhram
The main sanctuary here is a round Singhalese-style
chedi. In front of the chedi exists the base of
a vihara and behind stands an ubosot. Bases of twelve
small chedis are also visible.
The
Walls of The Old City
In the centre of the park, these walls are surrounded
by earthern ramparts. The north and the south walls
are both 2,000 metres long. The walls contain four
main gates: Sanluang on the north, Namo on the south,
Kamphaenghak on the east and Oar on the west.
A
stone incription mentions that King Ramkhamhaeng
set up a bell at one of the gates.
Wat
Si Sawai
Situated amongst magnificent scenery, this
classic temple has three prangs surrounded by a
laterite wall. Inside the wall the vihara in the
west is separate from the main prang and was constructed
in Lopburi.
The
Crown Prince (King Rama VI), found a trace of Hindu
sculpture Sayomphu, the greatest Hindu God in this
sanctuary.
Wat
Sa Si
Around a Singhalese-style chedi is the main sanctuary
on an island in the middle of Traphang Trakuan pond.
A large viharn contains a stucco Buddha image. To
the south stand nine chedis of different sizes.
San
Ta Pha Daeng or Deity Shrine
This monument consists of only one laterite
prang with a staircase in the front. Sandstone Hindu
divines were discovered here.
King
Ramkhamhaeng Monument
The bronze statue of King Ramkhamhaeng sits on a
throne named Phra Thaen Manangkhasila Asana with
the base documenting his life.
Wat
Mai
Wat Mai, having a brick vihara as the main sanctuary,
is in the Ayutthaya style. The columns of the vihara
are made of laterite. A bronze image of the Buddha
under a Naga was found here and is now preserved
in the Ramkhamhaeng National Museum.
The
Ramkhamhaeng National Museum
Built in 1960 and opened in 1964, this museum collection
include gifts from the ex-abbot of Wat Ratchathani
and art objects unearthed in Sukhothai and nearby
provinces.
Wat
Traphang Thong
This typical old-style monastery is located on an
island in the middle of a large pond. A ruined laterite
Singhalese-style chedi is on the island.
In front of it stands a new mondop containing the
Lord Buddha's Footprint slab that was created by
King Lithai in 1390 on Phra Bat Yai Hill.
This
Footprint was removed to the new mondop some years
ago. An annual fair to worship the sacred Footprint
takes place at the same time as the Loi Krathong
festival.
The
North (
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Wat Phra Phai Luang
This sanctuary, formerly a Khmer-Hindu Shrine, is
surrounded by a moat. It is second in importance
to Wat Mahathat. Inside there are three prangs like
Wat Si Sawai but the southern and the central ones
have crumbled, leaving only the northern one decorated
with stucco figures.
In front of these prangs are a vihara and a crumbled
chedi, the latter having a pedestal decorated with
stucco seated Buddha images. A mondop contains Buddha
images in four postures, sitting, reclining, standing
and walking.
They are now all in ruins. A Sivalinga was unearthed
in the compound of the sanctuary.
Ruin of Old Celadon Factory
"Thuriang Kiln" is a site where Sukhothai celadons
were made. Kilns exist in an area measuring 100
by 700 metres. Each kiln is divided into three sections;
the fire area, the pottery baking oven and the flue.
The pottery found here is usually decorated by
three different painted designs on their bottom,
a disc, a fish and a flower. Forty-nine Kilns and
small edifices are visible. To the north a pond
has been dug into stone.
Wat Sangkhawat
The vihara here enshrines a stucco image of
Sukhothai style. Behind stands a Singhalese-style
chedi. To the south, a brick ubosot base is surrounded
by slate semas.
Wat Hin Tang
The Singhalese-style brick chedi is supported
by a laterite base and surrounded by a laterite
wall. A Sukhothai inscription of Wat Hin Tang described
Buddhist relices and religious rites.
Wat Si Chum
Originally surrrounded by a moat, a square
mondop is the main sanctuary and contains a monumental
stucco-over-brick Buddha image in the attitude of
Subduing Evil, called "Phra Achana". This Buddha
measures over 10 metres from knee to knee.
The
South
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Wat Ton Chan
Outside the southern city wall, this beatiful old
style temple has a brick Singhalese-style chedi
enshrining Buddha images in niches. The brick vihara
contains a handless stucco Buddha image. Fine votive
tablets called Sane Achan are found here.
Wat Chetuphon
A mondop enshrines four buddha images in different
postures, sitting, standing, walking and reclining.
The outer walls of the mondop still retain a section
in the form of slate pillar-balustraded window.
There is an entrance on the north side. Just behind
the mondop is a small sanctuary which contains a
Buddha image known locally as Phra Si Ariya,the
Lord Buddha of the Future.
Wat Si Phichit Kirati Kanlayaram
Has a round Singhalese-style chedi on a square pedestal
and the vihara in front is surrounded by moats.
A broken stone inscription in Pali and Thai was
found and is thought to have been inscribed between
1400-1404.
Wat Viharn Thong
The main sanctuary is a brick lotus-bud shape
chedi and quite an exceptional example of classic
Thai architecture.
Wat Asokaram
Just outside the southern city wall, the bases of
the main chedi and the viharn and the mondop are
visible.
Wat Mumlangka
The Singhalese-style brick chedi and ubosot are
all that remain.
The
West
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Wat Saphan Hin
Situated on the hill 200 metres high. A pathway
of slate slabs leads to the sanctuary yard.
Wat Aranyik
Sitting in the Aranyik area dwelling places for
monks. Some great caves and the bases of the ubosot
and vihara line the pathway to the sanctuary.
Wat Chang Rop
A chedi is decorated with an elephant emerging
from the base. A vihara base and laterite columns
are in front of the Chedi.
Wat Chedi Ngam
On the hill in Aranyik area, the main sanctuary
is a round Singhalese-style chedi decorated with
four niches. On the east are a vihara and four small
stone edifices. On the north is a stone pond.
Phra Ruang Dam
This earthenware dam was formed to hold back water
between Phra Bat Yai and Kiew Ay Ma Hills and restored
by Thailand's Irrigation Department. Water from
the dam will be used as replacement whenever the
water level in other reservoirs goes down.
This dam is referred to in the Sukhothai inscription.
Wat Mangkon
A big vihara and a round Singhalese-style chedi
are visible. Sangkhalok architectural decorations
were found here.
Wat Phra Yun
2,500 metres west of Wat Mahathat, the vihara enshrines
a standing Buddha image.
Ho Thewalai Kasetra Phiman
The palace of the God in the field nearby Wat Pa
Ma Muang is a square laterite triple-tiered pedestal.
Its form resembles that of a mondop and was used
to install Hindu images.
Wat Pa Ma Muang
The sanctuary of the Mango Grove is an important
one referred to in Sukhothai inscriptions. The base
of the Singhalese-style chedi and the ubosot still
exist.
Wat Tuk
A square windowless mondop is the main sanctuary
and a vihara and chedis are in front.
The
East
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Wat
Chang Lom
Located to the north of Chotwithithong Road, here
you can see a bell-shaped chedi of Ceylonese influence
standing as the centrepiece. The chedi is on a 3-tiered
square base on which a platform decorated with elephants
supports the round chedi.
This type of elephant-decorated chedi is to be
seen in many ancient towns of Sukhothai period.
Wat Thraphang Thong Lang
A square mondop is the main sanctuary and in front
of the mondop to the east is the vihara. Beyond
the viharn stands an ubosot. The outer wall of the
mondop is beautifully decorated by stucco figures
in niches.
The southern side portrays the Lord Buddha flanked
by angels descending from Tavatimsa Heaven. On the
west the Lord Buddha preaches to his father and
relatives.
The northern side depicts the episode when the
Lord Buddha returned to preach to his wife. These
stucco figures, especially those on the south, are
masterpieces of Sukhothai art.
Wat Chedi Sung
The upper part of the chedi is round with the base
being constructed in three tiered stages. This interesting
Sukhothai type of chedi is of Sivijaya and Singhalese
styles. In front of the chedi stands a small vihara.
Wat Hot Phayom
Standing in the rice-field outside the eastern city
wall. The base of the vihara and the laterite pedestal
are still visible.
Other places of interest
The Ramkhamhaeng National Park
This exquisite national park in Khao Luang district
20km south of the old city, has nature and historical
background combined, covering an area of over 340
sq.km.
High hills and steep cliffs, some over 1200 metres
above sea-level, sit together with fascinating falls
and different species of plants and wildlife. The
archaeological and historical sites with ancient
remains and relices make the park even more attractive
especially for critics and theologians.
For accommodation, reservations for bungalows and
tents can be made through the National Park Division,
Forestry Department. Contact Tel: 5790529, 5794842
Loi
Krathong and Candle Festival
Held annually on the fullmoon day of the 12th
lunar month, this festival was revived in 1977 with
an aim to resurrect the Loi Krathong Festival among
the atmosphere of ancient Sukhothai dating back
more than 700 years.
The
entertainments include krathong competition, Nang
Nopphamat contest (a beauty contest in Thai costumes)
and a spectacular procession.
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